Wednesday, August 01, 2007

the questionable foundations of my musicianship

Before I started learning piano and long before I started taking voice lessons, my very first instrumental tuition came in 1st grade.

The instrument they made us play might well have been some kind of hold-over torture device from the Middle Ages. It was one-stringed parent killer known as the Monolin, named such because it was a violin with only one string. Now, the string of a monolin was made of steel like a guitar string, but never changed as far as I remember no matter how dead the think got. And disturbingly, the thing even looked like a medieval crossbow:

monolin_cropped

That's the only photo I can find of one. It's from a scanned ad sitting in some online educational resource directory. This dirty lie of an ad is all about how it's "impossible to play the wrong string on a Monolin!" Unfortunately, while its only string was indeed unavoidable, so was the chance of making a horrific noise with that thing. Even 26 years on, I can still remember the sound of this beast. It was like trying to orchestrate for nails on a chalk board. Imagine the sound of trying to play a fatal car crash with a violin bow. That's a monolin.

Not to mention, that was when only one of those monstrosities was playing at a time. At the end of the tuition, we had a concert in which our parents were subjected to the sound of 40 monolins scraping out some tragic mockery of "Mary Had a Little Lamb" at the same time. How our parents survived, I have no idea.

And to be quite honest, I think our elementary school music teachers honestly hated our parents, because the next year they made us learn and then give a 40-instrument strong performance of the Flutophone:

flutophone

The Flutophone is like a recorder, but worse and with a more emasculating name. Not to mention, it has translucent hot pink detailing which if I remember correctly, was very easy to break, rendering your flutophone useless. I must have gone through 4 or 5 flutophones in the course of the year.

With the flutophone and the monolin as my introduction to music, it's a wonder why I ever decided I was still interested in learning an instrument.

Monday, July 30, 2007

suckered again

Continuing my ever-susceptible streak of being suckered into partaking in Flash-based advertising, I've "simpsonized" myself at a Burger King site called simpsonizeme.com. As far as I can tell, their UI sucks and it won't actually save your character or export it correctly. I was able to email it to myself and snap a quick screen shot of it with PrintScreen.

Anyway, this is how it turned out. Not too shabby.

simpsonsMe_cropped

Thursday, July 26, 2007

the thin line between expanding your mind and becoming a total cook kook

Today is the 4th day in a row that I'm staying at work until the wee hours of the morning crunching towards the finish line for me on Thrillville: Off The Rails. I've been listening to the new PARK Radio tracks for hours upon hours, looking for the digital audio version of needles in haystacks: pops, clicks, corruptions from Pro Tools bounce errors, FTP transfer corruption, volume balancing snafus, etc.

Anyway, after listening to the same radio shows in 5 different languages for 4 days straight, I'm starting to go a bit nuts. Rather than stare off into space or watch waveforms scroll past me in Peak for days on end, I've been reading stories online a bunch while I listen to material.

Tonight's online journey began by digging around on Google Earth and typing in the name of world-wide monuments into the address bar. My favorite was the Statue of Liberty who is shot from above (duh, it's a satellite) but whose shadow casts the iconic image we're all used to of Lady Liberty. I also checked out the Great Wall of China, Mount Everest, Stonehenge, and Zero.

After that, though, I dug into Wikipedia and somehow got to a page listing all of the conspiracy theories detailed on Wikipedia. At the moment, I'm reading all about The Philadelphia Experiment, time travel, and the use of anti-gravity technology by alien spacecrafts.

Hopefully I won't find myself sitting here with a tin-foil hat by the end of the night.

Tuesday, July 24, 2007

a brief history of the color red

I found this very amusing.

Monday, July 23, 2007

I'm feeling like Mike Rowe

'Cuz today I'm doing little else than cleaning up everybody else's shit.

Developing a game that's going to be released world wide in at least 5 different languages makes you reliant upon a few things. You end up particularly being reliant upon translators and the level of anal-retentiveness held by audio engineers in foreign studios. If I don't speak the language (which I don't), then I can't know whether or not a German line of dialogue has been delivered correctly. The only thing I have to go off of is the hope that the correct German file has been named the exact same thing as the English file.

Today I've been dealing with a gigantic clusterfuck that came from at least 5 completely unrelated problems that have derailed all of the languages for a game. One language was hosed by a careless mistake in a French recording studio. Another was hosed by a slow production team in Spain. Another language was botched up by careless transcription errors on the English side of things. German and Italian have both been struggling from a mixture of errors plaguing all of the other languages.

None of it is anything that I've had to deal with before. Somehow on this game I went from Music Supervisor to Audio Lead in the span of about 2 weeks. Lucky for me, I'm now serving as Audio Lead on this game while simultaneously being Music Supervisor still for everything else I'm working on.

I'm not having a very good week so far.

[/rant]

Thursday, July 19, 2007

in the wake of E3 ...

I finally get a chance to clean up my office today. It's been about a year since I last did this and there are documents, papers, notes, resumes, and CD-Rs everywhere around here.

I'm finding my implementation notes from LEGO II, my lyric writing scribbles from the first Thrillville, and more doodles than I can count. In fact, I'd had me recently wanting to start scanning in some of the better ones and starting a doodle gallery. Maybe I'll get to that.

The other big news is that I woke up this morning to the news that LucasArts had won an award from GameSpy for Best Trailer at E3 for the work we did on the Star Wars: The Force Unleashed trailer.

That was a rough trailer to do. We did so many versions of it trying to craft it just right ... I worked some long nights on that thing. It's nice to see it get some recognition.

My favorite part of GameSpy's write-up was this:

"watch the trailer again and pay attention to how well the sound communicates the action"

Sweet, blissful critical acclaim ...

Wednesday, July 18, 2007

the great delusion

Someone please explain this to me ...

As the world slides further and further into despair, war, conflict, and poverty, the US stock markets continue to set record breaking numbers and make insane profits. They don't seem to take any notice any more to the flailing status of the US Dollar, the failed war strategy, or the looming threat of inflation.

??

What the hell are they paying attention to? Doesn't the economy have to be tied to something stronger than a simple wish for it to be doing well? Isn't this dangerous?

I honestly don't understand it.

Tuesday, July 17, 2007

oops?

Either someone at Google Ad Sense has hijacked the liberal blog CrooksAndLiars.com or there's a serious malfunction with their keyword target marketing software this morning.

This is a screenshot of what the sidebar of Crooks looked like this morning:

billO_ad

Wednesday, July 11, 2007

Happy Birthday

Today is the birthday of my good friend Seth. He's an ancient 31 years old today. So, in honor of his being 31 today, here's a video for him of Jean Claude Van Damme having an uncomfortable moment and getting laughed at on Brazilian television.

Happy birthday, hombre.

Monday, July 09, 2007

so much for the poetry of songwriting

Working on another Thrillville means working to license another set of music from record labels. While I can't get into which songs we're licensing, I will say that I've been busy over the last few days with my absolute least favorite part of music licensing: transcribing lyrics for submission to the ESRB.

You see, the ESRB (or Entertainment Software Ratings Board) are the people who figure out if your game is rated E for Everyone or M for Mature. As such, they have to scrutinize any and all content that goes into the game, including all of the lyrics to any songs found within.

So, it falls on me as Music Supervisor to make sure that anything and everything that can possibly be construed as a sung syllable gets reported, lest the ESRB hears something that they're not sure they can identify and delay the rating process. What makes the whole thing a bit frustrating is that their guidelines for E for Everyone content states that they're looking for "Soundtracks that contain profanity or adult themes, including edits or 'bleeps'." Pretty vague. Profanity can vary depending on your country. In the US, there are plenty of people who don't regard "hell" or "damn" as profanity, or at least as extremely minor profanity. In Canada, however, French-Canadians curse by saying things like "Chalice!" or "Tabernacle!," because they have a religious tone instead of a sexual tone. So, I have to transcribe absolutely everything and let them (the ESRB, not the French-Canadians) figure out if it's offensive or not.

Anyway, what the hell does all of this mean. It means that when I do this task, I have to first see if someone has typed up the lyrics online, then listen to the song while I scrutinize the online lyrics and make sure that they're right, then lastly add in and correct all of the stuff that the online versions leave out.

The one thing this has taught me is that absolutely no one knows what anyone is saying in any song. Ultimately, this means that the material the songwriter is trying to express rarely seems to get through to the brains of the listener. If the listener then tries to learn the lyrics off of an online lyric sheet, they're memorizing someone else's jumbled mistranscription and the whole thing perpetuates more misunderstanding.

For instance, this happened to me when I did the first Thrillville. The song "Emo Skater Girl"'s lyrics can be found on my MySpace page. Regardless of that, however, at least one version of the lyrics popped up online on a lyrics forum and is a garbled mess of what I actually sing in the song. For instance:

"You think I'm not/
I tried to hang but couldn't hack it"

is transcribed as:

"Think I'm not/
A try to hang the food and hacket"

Then there's the chorus:

"I'm just a nerd/
Lost to the world/
'Cause I'm in love with an
Emo skater girl"

Apparently ended up online as:

"I'm just a dork/
My stupid world/
Who fell in love with an
Emo skater girl"

And it's generally like that for every song I'm trying to transcribe the lyrics for. Today I found a song where "and it goes by like a bullet" was written as "and it can fly like a burden."

I don't know why lyricists try. It seems like a losing battle.

Tuesday, July 03, 2007

off the rails

Well, it's official. Today LucasArts announced that we're going to be putting out a sequel to Thrillville this fall and I can finally say that I've been working for the past few months on said sequel.

Thrillville: Off The Rails has been keeping David Collins and I in the studio working on new songs since about March or so. There's some work here that I'm very proud of and I'll make sure to share it as soon as I can.

If you're interested, the info on the new game is here.

Wednesday, June 27, 2007

the times they are a changin'

And by times, I mean staffing picture of our department here at work. On Monday, two new members joined the LucasArts Audio Department. The first is our new Audio Lead, Tom Bible. Tom comes to us from the UK where he likes sandwiches with butter on them and has a very different set of cultural references than we do. He seems like a supremely nice guy and I'm really looking forward to working with him.

The second addition to the crew this week is our second intern, Jason Clark. Like our first intern, Jason also comes to us from Ex'pression Center for New Media. I'm hoping that he can help to explain what that apostrophe is doing in the middle of its name. So far he's been doing some really unglamorous cleaning detail, but he freakin' rocked it out with the reorganization (can it be a reorganization if it was never really all that organized in the first place?) of our Cable closet. Among the oddities that he unearthed was a very special XLR->MIDI cable. Audiophiles right now are saying "WHAT?!" Everyone else thinks that I'm speaking gibberish. Suffice it to say, it's like have a cable that connects your printer to your refrigerator. Not very useful (to which I'm sure Seth will tell me I'm wrong for the sake of telling me I'm wrong).

Anyway, I'm heading home at a normal hour tonight and I'm gonna' go enjoy hanging out with Amanda before 10 PM on a weekday for the first time in a long time.

Friday, June 22, 2007

Friday, 6:45 PM

That's when I just received a request from one of the development teams to have a custom-composed trailer scored, edited, and mixed for Monday.

That's ridiculous. But I'm such an industrious little worker that my answer was - as always - "No problem!"

How do you say that it is a problem? It still needs to be done. I will do the job. Am I supposed to make people view me as a grumpy employee while I do it just because their request is unreasonable? Or if I make it clear once that it's unreasonable will they stop making unreasonable requests? Unlikely.

It's a no-win situation.

What would they have done if I'd left for the night already? Nevermind. I know the answer to that. I've been called at home before.

Thursday, June 21, 2007

big mistake

Coming back to work was a mistake. I'm still so sick. I need to be in bed. I need to be resting. I should probably even go to a doctor.

Instead I'm sitting here in my office as my newly-returned fever comes and goes, feeling clammy, and editing music to Quicktime movies.

I just walked out into the hallway and passed someone who, in response to my hello, simply muttered "... fucking 5 years making games just to get the life sucked out of me ..."

It's a happy industry sometimes.

Wednesday, June 20, 2007

back in the saddle

I'm back to work after two days out sick. You know what I'm discovering? I habitually come back to work too early. I'm still sick and should still be home in my pajamas, but I had work I needed to do that I couldn't do from home. So I'm here.

I'm contemplating taking off early. I have a lot of stuff to do by next Wednesday, though, so I think I'm just going to be toughing it out. Problem is, part of what I have to do is some mixing work in the studio and my right ear is pretty cloudy right now from my cold.

So, on the one hand, I know I'm too sick to be at work. And on the other hand, I know that I have a lot of work that can't afford to have me be sick.

Life is a many-splendored tapestry of crappy options. Come to think of it, that sounds like one of those demotivational posters from Despair.com.

choices_Poster

Tuesday, June 19, 2007

still entertaining myself

Manda and I are still home sick so we finally watched "Must Love Dogs" and "Taxi Driver" off of our netflix list. We've had them since we got back from our honeymoon. After all of that wait, "Dogs" was crap and "Taxi Driver" was scratched to the point that it doesn't play. Figures, I guess.

Anyway, I've been mindlessly rating movies on Netflix for lack of anything else to do. And, again, as I do this it's prompted some funny recommendations. Here are a few that made me laugh. then again, I am sick and a little stir crazy, so this might not be all that funny.

Like foreign independent films and British comedies? Obviously, you might like this:

Picture 4

Netflix calls it "a fascinating documentary that leaves viewers with (pun intended!) much to digest." I call it completely unrelated to any of the things that prompted it to appear on our list.

This one's for you, Ry. I don't know if you've ever seen Cirque du Soleil, but apparently the nexus of "The Fischer King" and crazy circus people equals:

Picture 3

Why "The Fischer King" has anything to do with wanting to learn eastern meditative stretching is beyond me.

Lastly, there was this:

Picture 5

Doesn't Netflix know that Transformers are toys for boys? She-Ra's for girls, damn it. Girls! Stop making me question my masculinity, Netflix.

Monday, June 18, 2007

entertaining myself

I'm home sick today. Actually, both Amanda and I are are home sick today. Saturday was our garage sale and it went really well with one small exception - we both are now suffering from too much sun exposure. I've got a helluva cold right now and Manda's home sick with a sore throat.

While sitting here at home babysitting my work inbox, Amanda asked me to update our Netflix queue, something we've been neglecting over the last 6 months or so. So, while I was poking around looking for some new movies to put on, I started rating the ones that I'd already seen.

I haven't really used Netflix all that much for anything other than just tossing movies onto my queue that I already know I want to see. So, today I thought I'd poke through the site-generated Recommendations page. Interestingly, their recommendation system seems to work pretty well. It's basically a big "if you liked this, you might like this" system and I found it was pulling up a lot of movies that I'd seen and liked in the past plus a handful of gems that look pretty good that I'd never heard of before.

As with any automated system, it has it's issues. Apparently it decided that since I said I liked Tim Burton's "Ed Wood," I must have a thing for crappy Sci-Fi and it started recommending Godzilla movies and crap like "Frankenstein Meets the Curse of the Wolfman's Mummy" (which I don't think is an actual movie, but should be).

By far, though, this was the weirdest recommendation:

Picture 2

What about "Citizen Kane" implies an appreciation for Rolling Stones concert vids?

Friday, June 15, 2007

second-hand weekend

Other than sounding like the crappy title of a Jackson Browne album, this post's title actually is all about our big garage sale we're having this weekend.

Since we moved in together two years ago, Amanda and I have been stepping around a bunch of duplicates of stuff - things we each had in our old apartments that we now find we have two of. We're tired of stepping around them.

Add to that old stuff we want to try and get rid of and some stuff neither of us even remembers how it got into our apartment, and you've got yourself a handy little garage sale this weekend.

Should be interesting. I've never had a garage sale before. The closest I've ever come was the time my mom decided that Ry and I had too many books (??) and that we should load them into our little red wagon and walk around the neighborhood trying to sell them to grown-ups. Needless to say, not too many grown-ups wanted to buy used copies of 5 year-olds' books. Go figure.

Anyway, I hope to have better luck tomorrow. Hopefully I won't have to trudge off with a red wagon this time.

Thursday, June 14, 2007

$75.00

That was the price that the gas pump read when I pulled up to it yesterday after someone else had just used it to fill up their 21-gallon tank.

$75.00

This is nuts.

Wednesday, June 13, 2007

a moment of clarity

I know I tend to bluster here a bunch and complain about things almost endlessly. Largely this blog is just the pointless grumbling of a guy who's too cowardly to tell people off in real life. I mean, why would the world care if someone cut me off, if I got a traffic ticket, if I'm sleepy from working too much, etc.? In short, they don't.

But, beneath all of the complaining and crap that comes from me on a daily basis, there's the heart of a very susceptible humanist and a hopeless romantic. It's rare that I let my guard down completely and show just how much things truly and deeply effect me. Amanda sees it quite frequently, but the rest of the world doesn't. I think it's part of being an artist. It's common to say that artists are tasked with creating something out of nothing, but I think that does artists a disservice. Artists create something out of themselves, sculpting something new from a wellspring of emotions and personal experiences. As far as I'm concerned, that wellspring is mine alone, my source of inspiration and my creative capital and I guard it closely.

That said, every now and again, something affects me in a way that kicks down my barriers and strips away any and all pretenses that I may have about myself that I'm indifferent, ambivalent, or apathetic to the world around me.

This morning, as I drove into work along the same path that I take every day, a random sequence of events touched me deeply and broke my heart. I was listening to our local alternative rock station when a new song came on by a band called Plain White T's. The song, "Hey There Delilah," is so deceptively simple. Just a solo voice, a single acoustic guitar, and light string accompaniment. It's an approach that's been done so many times in the past and can be so trite if done wrong. But this song ... the lyrics to this song are so pure. Such a sincere statement of longing, of love, and of optimism. With each line of the song, I could feel it soaking into me, saturating deep into my bones.

Hey there Delilah
I've got so much left to say
If every simple song I wrote to you
Would take your breath away
I'd write it all


It pulled me in, and I found myself smiling lost in a wash of sense memories. Not specific events, mind you. Just feelings. Just an overall memory of what it feels like to be young and in love, what it feels like to be completely enraptured in another human being, just the relief and warm security of knowing that I'm loved.

And as the song continued, I simply slipped deeper into this mode of simply giving myself over completely to the influence of the song and its effects on me.

A thousand miles seems pretty far
But they've got planes and trains and cars
I'd walk to you if I had no other way
Our friends would all make fun of us
And we'll just laugh along because we know
That none of them have felt this way


And it was then, as I turned onto Lombard Street, with those last two lines still seeping into me, that I passed a skinny skeleton of a man standing on the curb. He was bald, lanky, his over-sized clothes hung from his body. His face was contorted in pain with his mouth wrenched into a wide-open frown, some sort of silent moaning. His arms twisted as if trying to tear themselves from his body and his hands were clawing at his own stomach. No one paid any attention to him as they passed by him on the street.

And we'll just laugh along because we know
That none of them have felt this way


There before me was the dichotomy of the human condition, pure love and pure loss mashed together through my windshield in the middle of another random drive into work. I'm not exaggerating when I say that my stomach clenched like I'd been hit in the gut. I felt compassion for this man that I rarely feel for anything, compassion driven by the waves of appreciation I'd been experiencing just seconds earlier for my own life.

Sitting here a few hours later, I find that I can't get the image of that man out of my head. And yet, strangely, I can't seem to shake the warmth from that song either. I suppose I shouldn't fight either. I don't know how to create a piece of art that would be able to express what I felt at that exact moment this morning. But I know that I'll file that moment way and draw from it some point later from my wellspring of inspiration.